Our mixing and mastering service provides top-notch sound quality for both acoustic and electronic music genres, as well as Dolby Atmos. This is why we built a dedicated mastering studio equipped with ATC 110 soffit mounted main speakers and pristine acoustics designed by Guido Apke.
Mixing & Mastering
Service
Analog Mastering and Mixing in Stereo and Dolby Atmos
Mastering A B tests, level-matched
Comparing the sonics of the non-limited premaster file with the master with applied limiting at a reduced volume. The goal is to get a loud master with improved sonic qualities instead of a crushed audio file with worse sonics than the premaster and create a recording that transmits well on multiple playback systems.
Pop- and acoustic music first, electronic music genres in 2nd example.
Image Gallery
Credits
Gear
Monitoring: ATC 110, Auratones, Bose Soundbar
Conversion: Prism Sound Orpheus, Dangerous Music AD+, RME UFX+, Apogee Rosetta 800, Grimm Audio CC1 Masterclock
Patchbay: Mastering Insert Switcher, Flock Audio The Patch
Dynamics: Thermionic Culture The Phoenix, Vertigo Sound VSC-2, SPL Kultube, Gates Sta-Level, Wes Audio Dione, Stam Audio SA.76ADF, Elysia Nvelope, Jünger D01
Equalization: Maselec MEA-2, A Designs HM2EQ Hammer, Neve 1073 EQ, 2 x CAPI LC25, Bereich 03 Audio Bax EQ, Bereich 03 Audio Passive Mid, Wes Audio Prometheus
Saturation: Thermionic Culture The Culture Vulture, 2 x Rupert Neve Designs 542, Telefunken 15a Tape Machine
Preamps: AMS Neve 1073, 2 x CAPI VP28, CAPI FD 312, Aphex A Pre 500. 2 x Vintage Neumann V476 B
Outboard Effects: Dynacord VRS 23 Bucket Brigade Delay, Dynacord Super 76 Tape Delay, Spring Reverb, Alesis Microverb, Strymon BigSky