Our mixing and mastering service provides top-notch sound quality for both acoustic and electronic music genres, as well as the latest Dolby Atmos technology. Our team of experienced engineers and state-of-the-art equipment ensures that your music will sound its best. This is why we are building a dedicated mastering studio equipped with ATC 110 soffit mounted main speakers and pristine acoustics designed by Guido Apke.
Comparing the rough mix with the finished mix before the mastering stage at a matched level. The goal of a good mixing job is to embellish the producer’s vision and if necessary rebalance and clean up less optimal recorded/produced material with high end equipment.
Pop- and acoustic music first, electronic music genres in 2nd example.
Comparing the sonics of the non-limited premaster file with the master with applied limiting at a reduced volume. The goal is to get a loud master with improved sonic qualities instead of a crushed audio file with worse sonics than the premaster and create a recording that transmits well on multiple playback systems.
Pop- and acoustic music first, electronic music genres in 2nd example.
Monitoring: ATC 110, Auratones, Bose Soundbar
Conversion: Prism Sound Orpheus, Dangerous Music AD+, RME UFX+, Apogee Rosetta 800, Grimm Audio CC1 Masterclock
Patchbay: Mastering Insert Switcher, Flock Audio The Patch
Dynamics: Thermionic Culture The Phoenix, Vertigo Sound VSC-2, SPL Kultube, Gates Sta-Level, Wes Audio Dione, Stam Audio SA.76ADF, Elysia Nvelope, Jünger D01
Equalization: Maselec MEA-2, A Designs HM2EQ Hammer, Neve 1073 EQ, 2 x CAPI LC25, Bereich 03 Audio Bax EQ, Bereich 03 Audio Passive Mid, Wes Audio Prometheus
Saturation: Thermionic Culture The Culture Vulture, 2 x Rupert Neve Designs 542, Telefunken 15a Tape Machine
Preamps: AMS Neve 1073, 2 x CAPI VP28, CAPI FD 312, Aphex A Pre 500. 2 x Vintage Neumann V476 B
Outboard Effects: Dynacord VRS 23 Bucket Brigade Delay, Dynacord Super 76 Tape Delay, Spring Reverb, Alesis Microverb, Strymon BigSky
